Much later, the eight notes of Dies Irae, Dies Illa are played quietly on high strings and repeated three times during the scene where Scar prods Simba to tell the lionesses who is responsible for Mufasa's death. The brass section blasts the four notes of "dies irae" to indicate Simba is facing possible death. After Scar orders the hyenas to kill Simba, Simba tries to flee for his life, but immediately runs into a dead end. The Lion King (1994): Score by Hans Zimmer.The four notes are used as a leitmotif for Big Bad Lord Business, including during his entrance in the prologue and shortly after he kills Vitruvius. The LEGO Movie: Score by Mark Mothersbaugh.When Elsa goes deeper into a cavern to gain further understanding of the voice and the past, she sees betrayal and death, and it's so cold that she's temporarily killed when she's frozen solid. It recurs in "Show Yourself" when she goes to Ahtohallan and joins in singing the notes back to the voice. It's heard throughout " Into the Unknown " when she sings about her conflicted feelings and the temptation to follow the voice to learn truths about herself. Elsa is the only one who hears a mysterious voice singing the notes to her, hinting it could be a lure into danger or death.
Frozen II: Four wordless notes of "dies irae" are a leitmotif throughout the film, scored by Christophe Beck, songs by Robert and Kristen Anderson-Lopez. Similar tunes need evidence that the composers were intentionally inspired by the original Dies Irae, Dies Illa. This trope does not include Mozart and Verdi's compositions with the same name and text because they do not use the original melody. It is not about other works with "dies irae" in their titles or derived from the same Latin text sequence. This trope is about using or deliberately referencing a specific melody which originated as a Gregorian chant. Berlioz's Symphonie Fantastique version brought it to the forefront of musical thought and is what most later references are based on. literal The lesser known and less poetic formal equivalence translation is "the day of wrath, that day," leading into the next line "will dissolve the world in ashes." The original Dies Irae, Dies Illa is a Gregorian chant about the Last Judgment set to the words of a 13th century Latin sequence. The Latin phrase "dies irae, dies illa" means "day of wrath and doom impending" in the Vatican-approved adaptation. The use of Dies Irae, Dies Illa in the requiem mass for funerals gave it a lasting association with death, further cemented by repeated quotes throughout the centuries. The four notes of "dies irae" are most frequently quoted, and are sometimes followed by "dies illa" to create an eight note quote. Subtle references may shift the key, change the timing, play it backwards, or bury the notes underneath a happy-seeming bright melody to hint at unseen danger. Overt, bombastic quotes may signal that characters are in a life-or-death situation or reveal that someone has met their end. It can be instrumental or vocal, with or without the Ominous Latin Chanting, but it always sounds like something isn't right.ĭies Irae, Dies Illa quotes and references can create a sad, gloomy, or dark atmosphere. The descending notes and minor key create a somber, ominous feel. The four note phrase "dies irae" starts on one note (usually F), then half-step down, half-step up to the first note, one-and-a-half-steps down. #Dies irae episode list movie
This Standard Snippet has been used across decades of scores ranging from Silent Movie soundtracks to modern media medleys, and in centuries of Classical Music compositions. When composers want to create the impression of impending death and doom in their score, they often quote or reference the first four to eight notes of Dies Irae, Dies Illa (the Gregorian chant, not the Mozart or Verdi versions).
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